Education

MFA, San Francisco Art Institute, San Francisco, CA

BFA, California State University, Northridge, CA

Lives and works in Los Angeles.

Selected Solo Exhibitions

2016       tecate dawn. tijuana noon, calexico supermoon, Cherry and Martin, Los Angeles, CA
2015      
Border Theory, Lora Reynolds Gallery, Austin, TX

2014       Rio Grande/Rio Bravo, Angles Gallery, Los Angeles, CA

2012       Border Theory, Grand Central Art Center, Santa Ana, CA

2012       Chasing Moby-Dick: Selected Works by Tony de los Reyes, New Britain Museum of American Art, New Britain, CT

2011       Heather James Fine Art, Palm Desert, CA

2010       Chasing Moby-Dick, Santa Barbara Museum of Art, Santa Barbara, CA

2009       The Prophet, Howard House, Seattle, WA   

2008       Ahab’s America, Carl Berg Gallery, Los Angeles, CA

2007       American Baroque: Ruminations on Moby-Dick, Rio Hondo College Art Gallery, Whittier, CA

2006       Or The Whale, Carl Berg Gallery, Los Angeles, CA

                The Imago Sea, Bentley Gallery, Scottsdale, AZ

2005       The Sea is the Ghost of the World, Howard House, Seattle, WA

                The Last Archipelago, Carl Berg Gallery, Los Angeles, CA

2004       The Strange Tale of Near and Far, DCKT Contemporary, New York, NY

 

Selected Group Exhibitions

2015     IV Bienal Ciudad Juárez - El Paso Biennal, Museo de Arte de Ciudad Juárez, El Paso Museum of Art

We Must Risk Delight: Twenty Artists from Los Angeles, 56th Venice Biennale 

The Other Side: Chinese and Mexican Immigration to America, Asia Society, Houston, TX

2014       5th Annual Chicana/o Biennal, MACLA, San Jose, CA

               The Other Side: Chinese and Mexican Immigration to America, USC Pacific Asia Art Museum, Pasadena, CA

2013       MexiCali Biennial: Cannibalism in the New World, Vincent Price Art Museum, Los Angeles, CA

               The Crash of Ruin Fitfully ResoundsLuis de Jesus, Los Angeles, CA

2012       Carl Berg Projects, West Hollywood, CA

2011       COLA 2011, Los Angeles Municipal Art Gallery, Los Angeles, CA

2010       Lost at Sea, Heather James Fine Art, Palm Desert, CA

2008       Art on Paper, Weatherspoon Art Museum, Greensboro, NC

                In-between Air, Land and Sea, Long Beach City College Art Gallery, Long Beach, CA

                Weekend Warrior, Nathan Larramendy Gallery, Ojai, CA

2007       Mar Vista, Domestic Setting, Los Angeles, CA

2006       Major Drawings, Carl Berg Gallery, Los Angeles, CA

2005       A Great Mania, Sun Valley Center for the Arts, Ketchum, ID

 

 

Fellowships and Awards

2012       Center for Cultural Innovation ARC grant

2011       California Community Foundation, Mid-Career Artist Fellow

                COLA, City of Los Angeles Individual Artist Fellowship Award

 

Selected Bibliography

Knight, Christopher. “Tony de los Reyes travels the border,” Los Angeles Times, January 31, 2014.

Hebron, Micol. “Critic’s Picks: Tony de los Reyes,” Artforum.com, October 2014, ill.

Arellano, Gustavo. “Border Theory Shows the Line that Blurs,” OC Weekly, October 4, 2012, ill.

Donelan, Charles. "Tony de los Reyes Shows Chasing Moby-Dick at SBMA," Santa Barbara Independent, November 29, 2010, ill.

Newhouse, Kristina. “Tony de los Reyes: Ahab’s America,”  X-Tra, Volume 11, Number 2, Winter 2008: 27-32, ills.

Mizota, Sharon. “Tony de los Reyes,” ArtNews, Volume 107, Number 6, June 2008: 138-139, ill.

Frank, Peter. “Falling Together,” LA Weekly,  Volume 30, No. 21, April 11-17, 2008: 51, ill.

Leslie, Richard. “LA Art FAir,” Art Nexus, No. 65, Volume 6, 2007: 114.

Nys Dambrot, Shana. “Tony de los Reyes,” Modern Painters, November 2006: 104-105, ill.

Duncan, Michael. “Critics Picks: Opening Salvos in LA,” Art in America, November 2006: 76-79, ill.

Hebron, Micol. “Critic’s Picks: Tony de los Reyes,” Artforum.com, September 2006, ill.

Frank, Peter. “Major Drawings at Carl Berg Gallery,” ArtWeek, April 2006: 18.

Ollman, Leah. “The definition of drawing, expanded,” Los Angeles Times, March 10, 2006, ill.

Duncan, Michael. “Tony de los Reyes at Carl Berg,” Art in America, January 2006: 128, ill.

Enriquez, Luca. “Exploration and deconstruction,” The Seattle Times, December 16, 2005: 521, ill.

Bossick, Karen. “Honoring the Legacy of Delftware,” Wood River Journal, July 13, 2005.

Dugan, Dana. “Delftware made deftly,” Idaho Mountain Express, July 13, 2005: C1,C9, ill.             

Knight, Christopher. “The Deft Look of Delftware,” Los Angeles Times, March 4, 2005, ill.

Sholis, Brian. “Los Angeles Critic’s Picks: Tony de los Reyes,” artforum.com, February 2005, ill.

Jana, Reena. “100% Acid Free at White Columns,” Art on Paper, March/April 2005.

Johnson, Ken. “Tony de los Reyes,” New York Times, October 22, 2004.

Korotkin, Joyce B. “The Neo-Baroque Era,” Tema Celeste, July/August 2004:  38-45, ill.

Roth, Charlene. “Mail-In Show at London Street Projects,” Artweek, March 2004:  22, ill.

Hackett, Regina. “The Sky’s the Limit at Howard House,” Seattle Post Intelligencer, October 31, 2003:     16, ill.

Wood, Eve. “To Move the Stars,” Essay for The Frustrated Landscape, 2002.

Walsh, Daniella. “Scenery as Metaphor,” Orange County Register, September 15, 2002.

Crotty, Benjamin. “Excerpts From the Porcelain Pavilion,” Tablet, July 2002, ill. August 2011, ill.

 

Sections

CV

Education

MFA, San Francisco Art Institute, San Francisco, CA

BFA, California State University, Northridge, CA

Lives and works in Los Angeles.

Selected Solo Exhibitions

2016       tecate dawn. tijuana noon, calexico supermoon, Cherry and Martin, Los Angeles, CA
2015      
Border Theory, Lora Reynolds Gallery, Austin, TX

2014       Rio Grande/Rio Bravo, Angles Gallery, Los Angeles, CA

2012       Border Theory, Grand Central Art Center, Santa Ana, CA

2012       Chasing Moby-Dick: Selected Works by Tony de los Reyes, New Britain Museum of American Art, New Britain, CT

2011       Heather James Fine Art, Palm Desert, CA

2010       Chasing Moby-Dick, Santa Barbara Museum of Art, Santa Barbara, CA

2009       The Prophet, Howard House, Seattle, WA   

2008       Ahab’s America, Carl Berg Gallery, Los Angeles, CA

2007       American Baroque: Ruminations on Moby-Dick, Rio Hondo College Art Gallery, Whittier, CA

2006       Or The Whale, Carl Berg Gallery, Los Angeles, CA

                The Imago Sea, Bentley Gallery, Scottsdale, AZ

2005       The Sea is the Ghost of the World, Howard House, Seattle, WA

                The Last Archipelago, Carl Berg Gallery, Los Angeles, CA

2004       The Strange Tale of Near and Far, DCKT Contemporary, New York, NY

 

Selected Group Exhibitions

2015     IV Bienal Ciudad Juárez - El Paso Biennal, Museo de Arte de Ciudad Juárez, El Paso Museum of Art

We Must Risk Delight: Twenty Artists from Los Angeles, 56th Venice Biennale 

The Other Side: Chinese and Mexican Immigration to America, Asia Society, Houston, TX

2014       5th Annual Chicana/o Biennal, MACLA, San Jose, CA

               The Other Side: Chinese and Mexican Immigration to America, USC Pacific Asia Art Museum, Pasadena, CA

2013       MexiCali Biennial: Cannibalism in the New World, Vincent Price Art Museum, Los Angeles, CA

               The Crash of Ruin Fitfully ResoundsLuis de Jesus, Los Angeles, CA

2012       Carl Berg Projects, West Hollywood, CA

2011       COLA 2011, Los Angeles Municipal Art Gallery, Los Angeles, CA

2010       Lost at Sea, Heather James Fine Art, Palm Desert, CA

2008       Art on Paper, Weatherspoon Art Museum, Greensboro, NC

                In-between Air, Land and Sea, Long Beach City College Art Gallery, Long Beach, CA

                Weekend Warrior, Nathan Larramendy Gallery, Ojai, CA

2007       Mar Vista, Domestic Setting, Los Angeles, CA

2006       Major Drawings, Carl Berg Gallery, Los Angeles, CA

2005       A Great Mania, Sun Valley Center for the Arts, Ketchum, ID

 

 

Fellowships and Awards

2012       Center for Cultural Innovation ARC grant

2011       California Community Foundation, Mid-Career Artist Fellow

                COLA, City of Los Angeles Individual Artist Fellowship Award

 

Selected Bibliography

Knight, Christopher. “Tony de los Reyes travels the border,” Los Angeles Times, January 31, 2014.

Hebron, Micol. “Critic’s Picks: Tony de los Reyes,” Artforum.com, October 2014, ill.

Arellano, Gustavo. “Border Theory Shows the Line that Blurs,” OC Weekly, October 4, 2012, ill.

Donelan, Charles. "Tony de los Reyes Shows Chasing Moby-Dick at SBMA," Santa Barbara Independent, November 29, 2010, ill.

Newhouse, Kristina. “Tony de los Reyes: Ahab’s America,”  X-Tra, Volume 11, Number 2, Winter 2008: 27-32, ills.

Mizota, Sharon. “Tony de los Reyes,” ArtNews, Volume 107, Number 6, June 2008: 138-139, ill.

Frank, Peter. “Falling Together,” LA Weekly,  Volume 30, No. 21, April 11-17, 2008: 51, ill.

Leslie, Richard. “LA Art FAir,” Art Nexus, No. 65, Volume 6, 2007: 114.

Nys Dambrot, Shana. “Tony de los Reyes,” Modern Painters, November 2006: 104-105, ill.

Duncan, Michael. “Critics Picks: Opening Salvos in LA,” Art in America, November 2006: 76-79, ill.

Hebron, Micol. “Critic’s Picks: Tony de los Reyes,” Artforum.com, September 2006, ill.

Frank, Peter. “Major Drawings at Carl Berg Gallery,” ArtWeek, April 2006: 18.

Ollman, Leah. “The definition of drawing, expanded,” Los Angeles Times, March 10, 2006, ill.

Duncan, Michael. “Tony de los Reyes at Carl Berg,” Art in America, January 2006: 128, ill.

Enriquez, Luca. “Exploration and deconstruction,” The Seattle Times, December 16, 2005: 521, ill.

Bossick, Karen. “Honoring the Legacy of Delftware,” Wood River Journal, July 13, 2005.

Dugan, Dana. “Delftware made deftly,” Idaho Mountain Express, July 13, 2005: C1,C9, ill.             

Knight, Christopher. “The Deft Look of Delftware,” Los Angeles Times, March 4, 2005, ill.

Sholis, Brian. “Los Angeles Critic’s Picks: Tony de los Reyes,” artforum.com, February 2005, ill.

Jana, Reena. “100% Acid Free at White Columns,” Art on Paper, March/April 2005.

Johnson, Ken. “Tony de los Reyes,” New York Times, October 22, 2004.

Korotkin, Joyce B. “The Neo-Baroque Era,” Tema Celeste, July/August 2004:  38-45, ill.

Roth, Charlene. “Mail-In Show at London Street Projects,” Artweek, March 2004:  22, ill.

Hackett, Regina. “The Sky’s the Limit at Howard House,” Seattle Post Intelligencer, October 31, 2003:     16, ill.

Wood, Eve. “To Move the Stars,” Essay for The Frustrated Landscape, 2002.

Walsh, Daniella. “Scenery as Metaphor,” Orange County Register, September 15, 2002.

Crotty, Benjamin. “Excerpts From the Porcelain Pavilion,” Tablet, July 2002, ill. August 2011, ill.

 

Sections